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Graham Stewart

Writing to discover what I think and believe in increasingly fractured times

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Royal Academy

Painting The Modern Water Lily

April 4, 2016 By graham stewart

Water Lilies
[Image by Pamela Nhlengethwa via Unsplash]

Laura and I went to see the Painting The Modern Garden exhibition at the Royal Academy last Thursday. It’s only around for another fortnight, so we took advantage of being ‘Friends’ of the RA and booked a visit after hours. This means there are fewer bodies to each gallery and it’s possible to get close enough to the paintings to smell the flowers.

There was much to enjoy. I especially liked seeing a Klimt (who I had always associated with stately Austrian women in gold emerging from heavily patterned wallpaper rather than flowers), a Munch, a Van Gogh, and three small Paul Klee canvases all within a few feet of each other. The theme of the exhibition, as hinted at in its title, was the modern garden. Modern in the sense of the discovery of gardening among the haute bourgeoisie rather than in the sense of a path, a compost heap, and the neat lawn of more recent urban versions.

Monet loomed large, of course. In the first room, there were adjacent paintings by Renoir and Monet from the 1870s. In the former, Renoir paints Monet painting in his garden. In the latter, Monet is painting the painting he was quite possibly painting as Renoir painted him. Luckily, it was clear that no vegetation was harmed in the process. At this stage the techniques and subjects of Renoir and Monet are remarkably similar. I actually preferred the Renoirs.

Monet then moves to another house — and garden — and his painting style changes. Colours are richer and the paint is applied more thickly. Or perhaps with greater confidence. These are the paintings of Monet I most enjoy: those from the 1880s.

Then Monet moves to Giverny and he creates the pond and discovers water lilies. God, does he discover water lilies. It seems clear that Monet simply went mad in the last quarter of a century of his life. Perhaps there is some undiscovered chemical in water lilies — certainly in the hybrid species he cultivated at Giverny — which turn a person monomaniacal. His wife must have wondered what was going on.
“Claude, darling, what are you doing today?”
“Painting, my sweet.”
“What will you be painting?”
“I thought I might give the water lilies another try.”
“I see. I’ll call the doctor.”

A New LikeMinds Event, A New Film, And An Exhibition

January 11, 2016 By graham stewart

It’s not quite Four Weddings and a Funeral but the end of the month is starting to look busy.

I’m looking forward to the next LikeMinds breakfast event on January 28th. The speaker at 12 Hay Hill this time will be media entrepreneur John Pearson. John is currently Chairman of Imagen but is possibly best known for his time as CEO at Virgin Radio. The fact that he has also been chairman at Shazam gives you an indication of the sort of circles in which he moves — and influences.

You can find out more about the event on the LikeMinds site and, of course, I’ll be writing up the event shortly after it happens. That report will appear — along with a video of me asking John some questions (or at least John answering my questions) — on the LikeMinds site and I’ll write a post here to let you know when it’s live.

In other news, I’ve been invited to a special screening of the new Paolo Sorrentino film — Youth — starring Michael Caine, Harvey Keitel (always a favourite except in the fucking Direct Line ads), and Rachel Weisz. The trailer looks good.

The film opens in the UK on the 29th of this month. I’ll be attending a screening on the 22nd. Get me.

The end of the month is already looking busy. I’m off to a special viewing of the new exhibition — Painting the Modern Garden — at The Royal Academy on the 27th. I’m just a cultural butterfly.

Reports on all to follow.

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